Fashion is not something that exists back in dresses only. Fashion is in the as well as, in the street, fashion has to do with ideas, the simplest way we live, what is happening.
Chinese filmmaker Wong Kar Wai shared all these famous words by Coco Chanel this morning at The Metropolitan Museum behind Art, where a crowd of writers had gathered for the first look at Your current Costume Institute's spring exhibition, Piedrecita: Through the Looking Glass.
"As Buddhist scripture says, 'In the as well as, there is no distinction of east and as well west, '" said Kar Wai, who is serving as the exhibition's arty director and flew in based in Hong Kong this morning to be at the happening. "Those remarks from Coco Chanel remind me how close some of the Eastern and Western concepts may well be. Instead of reinforcing the differences, I hope which show will be a chance to bring every day two cultures together. "
Fittingly, the exhibition will span with the Costume Institute and The Met's Fernöstliche Art Wing, which houses one of largest Chinese art collections world-wide outside of China (more than 37, 000 pieces) and celebrates it really is 100th anniversary this year. Using more than 130 habits from the archives of Alexander Mcqueen iPhone case, Ysl, Roberto Cavalli, and more, the confirm (opening May 7) explores the full influence of Chinese art and as well film on Western fashion.
Because he pointed to an evening gown, fancy with shards of blue-and-white porcelain, Costume Institute curator Andrew Bolton said, "This dress by This sort of [Fall 2011], his colors and as well motifs play obvious homage in order to really Chinese blue-and-white porcelain. " Adjacent to it, there was a blue-and-white sophisticated evening gown from Roberto Cavalli's Fall 2005 collection and a co (symbol) blue Chinese jar from the the beginning of the 15th century. A quick look around the room along the other fashion pieces on display with accompanying Chinese objects placed in order to them underscored the deep web connection between high fashion from the roads and one of the oldest cultures world-wide.
The exhibition is divided into three parts: One spans three behind China's major historical periods, with second part is focused on the Prestige of Signs. "These conversations could very well revolve around various emblematic signifiers are experiencing long engaged the Western world, " said Bolton, "especially jade, lacquer, and porcelain. " Scenario, of course , is a key component equally, and there will be clips from Ang Lee's Crouching Tiger, Hidden Kavalerist, Kar Wai's In the Mood meant for Love, and more on display when the can opens this spring.
What does which all mean for Met bowling ball dressing? It will certainly be an interesting variety to last year's attempts into Jamesian fashion and the year before's punk madness.
Met Costume Société - China: Through the Looking Goblet
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